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G L A S T O N B U R Y  
F E S T I V A L

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diversity,Or Else The Light
by Stanley Donwood & Indigo Terrick & Hecate Asterick  

This year's artwork for Glastonbury Festival, drawn and painted by me and my daughters was inspired by Mediaeval and modern stained glass windows. We looked at glass from Paris to Ireland, and one thing is for sure; it's beautiful. The subject matter of much of it is another matter.
We imagined stained glass windows made for a world without patriarchal monotheism and without the bleak promise of eternal damnation for unbelievers and transgressors.
Instead we would make stained glass for everybody, for a world of Diversity, Equity, and Inclusion - maybe stained glass for festivals? Oh, but you don't really want glass at a festival... And making stained glass windows is a highly skilled trade, involving glass cutting, molten lead and moments of mild peril.
So instead of doing all that we just drew and painted it. And now our scrawls and daubs have been made into a screen print, which we hope would bring some of the beauty of a stained glass window from an imagined beautiful world to the world in which we actually live.
The title? It's the last four words of Margaret Atwood's novel 'The Handmaid's Tale'.
'Or Else The Light' consists of sixteen layers of artfully arranged inks, printed with unmatched competence by specialists employed specifically for this project on paper made in a mill close to Glastonbury. The technical details are as follows:
Size: 700mm x 500mm (approximately)
on 300gsm Somerset Satin paper from St Cuthbert’s Mill in Wells.
A 16 colour screen print.
Numbered and signed by Stanley Donwood.
Blind-embossed with the Slowly Downward Manufactory seal.

This print is priced at £250.

For further information, which could very well be this exact text again, along with the delivery information and some different, or quite possibly the same photographs of the print, do please
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